I have been looking to branch out into new territory both in location and subject matter, and in technique. After I took the plunge into digital photography, I continued on the path I set for my film photography, which was reality turned up a few notches. I never went for extreme colors or contrast. I wanted what I called “The Slow Zen,” which referenced the time involved in setting up a large format camera, and my quest for calmness and beauty in a photograph.
Recently, I discovered something called The Orton Effect. The technique entails putting a blurred layer in front of a sharp layer (or two). All layers need to be brightened first. I decided to give it a try because I know a few photographers who use it.
My first attempt was unimpressive. It hurt the eyes to look at. The next time I tried, I didn’t brighten the layers. When I selected “multiply” for the layers, was astounded by the look. The colors were off the chart, and the lights and darks popped. I then dropped the opacity until it looked more pleasing.
Why do the same thing with digital as I did with film? Why not set off in a different direction? They are two different mediums with different aesthetics. So, with my digital work, I’m going to experiment, but without the gaudiness of most HDR. With my film work, I’m going to continue on the path I have always been on. We’ll see both paths lead.
